A man attempts to marry into a wealthy family.

A group of kids on a field trip shockingly discover the bodies of missing children. Their alarming discovery leads to a small western town where the mystery of the slain children's disappearance has created an environment of suspicion and distrust. A curious reporter from the city arrives in town and bribes a bar owner to divulge everything she knows. Gradually, the pieces of this disturbing puzzle; deception, adultery and secret bonds, start falling into place. They hold the key to the mystery of the murdered children.

The Class (2005) by Araya Rasdjarmrearnsook challenges the viewer’s personal sense of morality and tolerance by depicting a classroom from hell. In the video, a woman, dressed in black with a white over shirt, stands in front of a long blackboard. The classroom’s rear walls and floor are covered in taut white fabric, given the room the sinister appearance of a sanitarium or a crime scene. Six bodies lay across the floor on silver morgue trays, their features all but obscured by gently draped white sheets. The woman at the front of the class begins to lecture to the lifeless bodies with a clear and calm diction. As she turns to address the rear wall, she grabs the chalk and writes her topic on the blackboard: death. She then proceeds with her monologue, discussing how death is addressed and approached from various historical, cultural, and philosophical perspectives. She occasionally addresses the lifeless bodies, imploring them to share their own perspectives and experiences. She continues to speak, undeterred by the lack of response or reciprocity. Deliberately absurdist in its premise, Rasdjarmrearnsook’s video parodies pedagogical conventions, and the metaphor here of the corpse-as-student plays off humorous tropes of being literally “bored to death.” But in opening a conversation about death – which is often considered too taboo to casually discuss in many cultures (and particularly in the West) – Rasdjarmrearnsook also questions how we treat conversations around mortality in public discourse and how those dialogues, while vital, all too often fall upon deaf ears until it is too late.

On a sunny morning in Eversley, Hampshire, Jackson and Natalie planned an adventurous day out for their 14-year-old son, Kevin. They decided to visit Leisure Matters, a renowned outdoor activity center owned by Jackson's old friend, Richard. Kevin, brimming with excitement, had even invited a few of his friends to join in the fun. When the group arrived at Leisure Matters, Richard was there to greet them with a warm smile. "Welcome, everyone. You're in for a day packed with adventure," he said. Richard, a seasoned outdoor enthusiast, had everything ready for them-paintball guns, archery equipment, even army-style uniforms for an immersive experience. Kevin and his friends eagerly donned the camouflage uniforms, their faces lighting up as they imagined themselves as action heroes. Jackson and Natalie joined in too, ready to embrace the fun.

The first episode in a series of “adaptations” of poet Bernadette Mayer’s book Utopia that artist Beatrice Gibson envisions to undertake over the next decade, producing a series of small, quotidian films that together, and over time, will constitute an epic. This first film is drawn from Chapter 4, entitled “The Arrangement: of Houses & Buildings, Birth, Death, Money, Schools, Dentists, Birth Control, Work, Air, Remedies, and So on” and was shot at home during the pandemic.

Romana fancies a proper holiday and convinces the Doctor to visit the leisure planet Argolis, where a takeover by the Argolins' historic enemy is underway.

Every year nearly 30,000 Americans enter culinary school with dreams of success in the food world. This documentary series goes inside the cutthroat, stressful and expensive pressure-cooker of culinary school.

Kate North reluctantly takes over her father’s struggling Santa School, where she and a colleague discover an amnesiac Santa Claus and must help him regain his memories through their training program to save both the school and Christmas.

A comedy about an exceptionally dysfunctional acting class. Playing unsuspecting college students, Liz and Jill set off to find the most influential acting teacher of the decade and soon discover a heralded guru named Kenneth LaPoubelle. After a visit to Ken's class and a series of interviews with his present and former students, they realize that Ken's reputation might exceed his talent.

Rookie lawyer Alec Brno has just been assigned the case of his career: exposing a billion-dollar oil scam led by a ruthless mafia boss. When he reluctantly falls for the gangster's beautiful but drug-addicted wife - also his key witness - Alec soon realizes that all the legal savvy in the world can't protect him from the dangerous reality of mob violence. In a system where criminals often walk free, sometimes courtroom warriors must take the battle for justice into their own hands. Written by Echo Bridge Home Entertainment